Master Scene Screenwriting Guide
by Ken Briscoe

Structures

TV - 1-HOUR

The 1-hour TV show (45-minute runtime in broadcast) is typically used for episodic or serialized dramas.

Each act should end with a question/cliffhanger.

4-Act (+2) structure

ACT BREAKS: Include them for broadcast shows but streaming and premium cable may not require them.

TV - HALF-HOUR

The half-hour TV show (22-minute runtime in broadcast) is typically used for comedies but there are a growing number of half-hour dramas and dramatic comedies.

Each act should end with a question/cliffhanger.

3-Act (+2) structure

ACT BREAKS: Include them for broadcast shows but streaming and premium cable may not require them.

FEATURE FILM

ACT BREAKS: Don't include act breaks in feature films.

3-act

ACT 1: SET-UP (Beginning)

ACT 2: CONFRONTATION (Middle -- Development)

ACT 3: RESOLUTION (End)

The Sequence Approach (Frank Daniel)

ACT I

SEQUENCE 1 – Status Quo & Inciting Incident

SEQUENCE 2 – Predicament & Lock In

ACT 2

SEQUENCE 3 – First Obstacle & Raising the Stakes

SEQUENCE 4 – First Culmination/Midpoint

SEQUENCE 5 – Subplot & Rising Action

SEQUENCE 6 – Main Culmination/End of Act Two

ACT 3

SEQUENCE 7 – New Tension & Twist

SEQUENCE 8 – Resolution

Freytag's Pyramid

Die Technik des Dramas

Gustav Freytag

In Freytag's pyramid, the plot of a story consists of five parts:

1. Exposition

2. Rising action

3. Climax

4. Falling action

5. Revelation/catastrophe

The Hero's Journey

1. Ordinary World

2. Call to Adventure

3. Refusal of the Call

4. Meeting with the Mentor

5. Crossing the First Threshold

6. Tests, Allies, Enemies

7. Approach to the Inmost Cave

8. The Ordeal

9. Reward

10. The Road Back

11. The Resurrection

12. Return with the Elixir

 

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