Master Scene Screenwriting Guide
by Ken Briscoe

5. Dialogue

Element name
Final Draft, Fade In, WriterSolo and WriterDuet: Dialogue

The Dialogue style is used for speech by actors who are: on camera, off-camera, or narrating.

See EXTENSIONS for more about off-screen (O.S.) or narrated (V.O.) dialogue.

Before a character is given any dialogue, they should be listed in the action for the scene.

Example

Alex is holding an old leather-bound edition of a book.
ALEX
I've looked everywhere for this book.

Length

Avoid using paragraph breaks in dialogue. If you feel like a paragraph break is needed, you might want to question why your character is talking so much. It may be justified if it's a monologue.

If a character is going to be the only one talking for a prolonged period, their dialogue can be broken up with some action or visual description.

Dialogue interrupted by action

When a character's dialogue is interrupted by an action line then they resume talking, a (CONT'D) is added to the character cue:

Example

ALEX
I've looked everywhere for this book.
Customers gather as Alex waits for a reaction.
ALEX (CONT'D)
It's been out of print for sixty years!
Do not add CONT'Ds manually. Let the scriptwriting software handle them automatically.

There are a range of views on the use of character CONT'Ds. For example, TV shows may require them but films may not. By letting the software handle them, you can switch them on or off just by changing a setting.

In Final Draft, go to Document > Mores and Continueds, and check or uncheck "Automatic Character Continueds" to enable or disable character continueds.

Dialogue interrupted by dialogue

To indicate an interruption, use a space followed by two dashes at the end of the dialogue of the character who is being interrupted.

The dialogue of the character who is interrupting begins normally, i.e. without dashes.

ALEX
The thing is, I --
EMILY
Don't really know?

Dialogue with a pause or hesitation

To indicate a pause or hesitation, within a block of dialogue, use an ellipsis (3 dots).

ALEX
What can I tell you... this is pure gold.
TIP: When using an ellipsis in dialogue, follow it by a space to avoid having the software's spell-checker flag it as a spelling error.

A pause can also be indicated using "pause" or "beat" in a parenthetical.

ALEX
What can I tell you.
(beat)
This is pure gold.

Dialogue trail-off

To indicate a trail-off at the end of a dialogue, use an ellipsis (3 dots).

EMILY
Are you sure you...

Emphasis

If you need to emphasize a word or words, use underline. This should be used sparingly and only when the emphasis would not be obvious.

ALEX
Who are you?

Do NOT use italics or bold.

Shouting (yelling, screaming)

For shouting, yelling, etc. you can write the dialogue or sounds all in caps (uppercase) or use a parenthetical indicating the character is shouting.

ANNA
(shouting)
You keep saying the same thing over and over again.

Or

ANNA
YOU KEEP SAYING THE SAME THING OVER AND OVER AGAIN.

Titles or brands

For titles or brands, put them in quotation marks.

MYRA
You've never seen "Breaking Bad"?

Quoting

If the character's dialogue includes something quoted, enclose it in quotes.

Quotes are needed to make the following dialogue clear.

DEVAN
Tell her.
ALEX
I can't just walk up to her and say "I'm madly in love you."

Reading aloud:

ANNA
"We are all in the gutter, but some of us are looking at the stars."

Multiple characters speaking same dialogue

If you have multiple characters speaking the same dialogue simultaneously, you can use slashes to divide their names.

ANNA/EMILY/DEVAN
Happy birthday!

Dual Dialogue

Dual dialogue is used when two characters talk at the same time.

To show dual dialogue:

ALEX
(to himself)
They have no idea how much this book is worth.
DIMITRI
(to Emily)
I didn't have any of those things she was looking for.

It can also be used for characters talking in unison:

ANNA
No way.
EMILY
No way.

Formatting Dual Dialogue in Final Draft:

Formatting as Dual Dialogue

The 2 speeches will now display as Dual Dialogue.

Editing Dual Dialogue

The Dual Dialogue will change to the normal single-column format.

Do the edit then do the steps for "Formatting as Dual Dialogue."

Bilingual or Multilingual Dialogue

Ideally, a script should be written in a single language to allow it to be read by a unilingual reader.

1. A few words

If the dialogue's meaning or intent will be clear from the context, you can write a short snippet of dialogue in an alternate language.

Béatrice and James both look agitated.
JAMES
Are you OK?
BÉATRICE
Ça va.

2. A few lines

If there are only a few lines of dialogue that will be in an alternate language, you can use a parenthetical to indicate the language.

BÉATRICE
(in French)
Do you think they know?
JAMES
We're gonna find out.

In this exchange, Béatrice speaks in French and James speaks in English.

3. A whole scene

If the whole scene will be in an alternate language, you can can note this in the scene description.

Béatrice and James both look agitated.
Production note: All dialogue in this scene is in French.
BÉATRICE
Do you think they know?
JAMES
We're gonna find out.

4. A whole script

If the whole script will be in a different language, you can can note this on page 1.

Production note: All dialogue in this script is in French.

Sign Language

If the dialogue will be delivered in Sign Language, you can use the same techniques as listed above, specifying the type of Sign Language to use.

BÉATRICE
(in ASL)
Where are they?
JAMES
Probably long gone.

In this exchange, Béatrice signs in ASL and James speaks in English.

Subtitles

If necessary, you can indicate that there would be subtitles.

BÉATRICE
(in French; subtitled)
Do you think they know?
JAMES
We're gonna find out.

or

Béatrice and James both look agitated.
All dialogue in this scene is in French and SUBTITLED.
BÉATRICE
Do you think they know?
JAMES
We're gonna find out.

Mouthing words

If a character mouths some words, you could describe it in the action.

Jesse mouths the words "No way."

Singing

Singing lyrics can be approached a number of ways. In all cases, it is preferable to use the parenthetical “(singing)” since it makes it absolutely clear that the character has broken into song.

1. Put the lyrics in quotation marks.

ERIC
(singing)
"There is a house in New Orleans
They call the Rising Sun
And it's been the ruin of many a poor boy
And God I know I'm one"

2. Put the lyrics in caps.

ERIC
(singing)
THERE IS A HOUSE IN NEW ORLEANS
THEY CALL THE RISING SUN
AND IT'S BEEN THE RUIN OF MANY A POOR BOY
AND GOD I KNOW I'M ONE

Create a Lyrics element

If you will be using a lot of singing, in Final Draft, you can create a Lyrics element.

1. Go to Format > Elements

2. Click New

3. Call the new element Lyrics

4. Go through each tab setting -- Basic, Font, and Paragraph, and customize the new element's look and behavior (set them to paginate as dialogue)

5. Click OK

Page breaks: MORE & CONT'D

When a character's dialogue continues beyond the current page, (MORE) is added at the same alignment as the Character Name under the last printed line of dialogue.

Example

ALEX
I've looked everywhere for this book. It's been out of print
(MORE)

On the following page, above where the dialogue continues, the Character Name is added followed by (CONT'D).

Example

ALEX (CONT'D)
for sixty years!
Do not add MORE & CONT'D manually. Let the scriptwriting software handle them automatically.

In Final Draft, how action and dialogue break across page breaks can be set using Tools > Options > Document > "Break dialogue and action at sentences"

With that option checked, the above example would become:

ALEX
I've looked everywhere for this book.
(MORE)
[page break]
ALEX (CONT'D)
It's been out of print for sixty years!
 

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